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Exhibitions

Current Exhibition

September 3 – October 5, 2024: GHOSTS

View info about the artists and the artworks available here.

How do we leave our mark? Is it our bones, our words, our image, our legacy? Does it last? GHOSTS considers the curious in context, presenting captured moments that direct us to question, and unknown stories packed tight in precise symbols meant to last. 

Carla Vaughan’s images deliver precise fleeting moments in larger contexts (like a snowy day), but also consider individual figures, alone or moving in concert, that bring forth even more questions. She says “I am inspired by the anonymity of people, whose stories I don’t know, but want to know. I am drawn to subjects who are alone, quiet silhouettes in solitude.” In Vaughan’s Familiar Strangers, these anonymous 
individuals are caught in a unique shared moment. They look like choreographed zombies moving together 
in a dream. Because we may never know what is really occurring in an image of life, she adds, “Whether the scene is present on the city street or placed in a frame, the viewer will complete the story.”

It’s common to experience people “in passing” like an object in our path, “ships in the night,” and one of many. In regards to living people moving through time and those who have “passed,” everyone plays both roles; the anonymous somebody, and the real somebody with a full story, the story that remains a mystery. If only ghosts could talk! 

Ed Snyder says, “There is something very intimate about being in a snow-covered cemetery by yourself. Leaving one’s footsteps in silence serves as a reminder of the shared human experience of mourning, remembrance, and the fact that life does, in fact, go on.” Snyder’s images contemplate larger complex stories reduced to small symbols with simple clues. Even if the stories are forgotten, there is a marker to remind us there were some.

As physical markers go, the cemetery is a shared context; the gravestone a symbol of an individual that is far more complex and meaningful than the indicator could ever express. Likewise, a unique still image is the embodiment of a moment in context, an elaborate multifaceted mark, frozen in time.

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Past Exhibitions

July 11 – August 31, 2024: YOU ARE HERE

View info about the artist and the artworks available here.

YOU ARE HERE at Box Spring Gallery not only invites the viewer to join artist Michael S. Heitler on city tours and site-seeing, but demonstrates ourselves as a visual culture, where signs, directions and advertising dominate. Easy to recognize in regards to our daily experiences, our environment is both supported and informed by visual communication, and an enhanced environment can spark curiosity and even seduce. Here, icons of advertising are present in traditional painting, and include textual elements, banners, flags and bright colors. The title YOU ARE HERE is taken from the indicator phrase on orientation signs, commonly used in amusement parks, hiking trails, shopping malls, and tourist attractions.

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June 4 – 30, 2024: MEMPHIS, MILANO, MIAMI

View info about the artists and the artworks available here.

The inaugural exhibition MEMPHIS, MILANO, MIAMI at Box Spring Gallery demonstrates one way where art and design meet. The selected works, when shown together, bring to mind the Memphis Milano design movement and Miami deco-influenced postmodernism, whether intentional or not.

Established in December 1980 by Ettore Sottsass, Italian design firm Memphis Milano, and a multitude of imitators of the “Memphis Style,” defined the 1980s. Whether in bright primary colors or whimsical pastels, the shapes were geometric, blocky, intrusive, and set to challenge modern design. It was a nod to both Art Deco and Brutalism but with contemporary flair; experimental, controversial and playful at the same time.

Similarly, Miami Beach is famous for its Art Deco buildings, built for resort clientele after the Great Depression and into the early 1940s. After falling out of fashion decades later, the 1980s brought a new international appeal to the city, and its Art Deco architecture became desirable once again. Developers re-embraced the city’s “Tropical” and “Med-deco” styles and applied them to postmodern projects. The 1988 film Pastel Paradise, documents South Beach’s revival, both historical and contemporary, in beachy hues.

Postmodern design clearly pays tribute to Art Deco, Pop, but most of all FUN. These styles influenced architecture, fashion and graphic design of the time, as well as its contemporary re-emergence — think rounded corners, step downs, confetti patterns, Miami Vice.  

Participating artists: Terri Fridkin (prints, wood constructions), Jeff Harris (pastel drawings), and Robert Reinhardt (prints, collages).

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